Atlas Architect

Atlas Architect

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In European architectural sculpture, an atlas (also known as an atlant, or atlante[1] or atlantid; plural atlantes)[2] is a support sculpted in the form of a man, which may take the place of a column, a pier or a pilaster. The Roman term for such a sculptural support is telamon (plural telamones or telamons).[2]

The caryatid is the female precursor of this architectural form in Greece, a woman standing in the place of each column or pillar. Caryatids are found at the treasuries at Delphi and the Erechtheion on the Acropolis at Athens for Athene. They usually are in an Ionic context and represented a ritual association with the goddesses worshiped within.[3] The Atlante is typically life-size or larger; smaller similar figures in the decorative arts are called terms. The body of many Atlantes turns into a rectangular pillar or other architectural feature around the waist level, a feature borrowed from the term. The pose and expression of Atlantes very often show their effort to bear the heavy load of the building, which is rarely the case with terms and caryatids. The herma or herm is a classical boundary marker or wayside monument to a god which is usually a square pillar with only a carved head on top, about life-size, and male genitals at the appropriate mid-point. Figures that are rightly called Atlantes may sometimes be described as herms.

Atlantes express extreme effort in their function, heads bent forward to support the weight of the structure above them across their shoulders, forearms often lifted to provide additional support, providing an architectural motif. Atlantes and caryatids were noted by the Roman late Republican architect Vitruvius, whose description of the structures,[4] rather than surviving examples, transmitted the idea of atlantes to the Renaissance architectural vocabulary.

Not only did the Caryatids precede them, but similar architectural figures already had been made in ancient Egypt out of monoliths. Atlantes originated in Greek Sicily and in Magna Graecia, Southern Italy. The earliest surviving atlantes are fallen ones from the Early Classical Greek temple of Zeus, the Olympeion, in Agrigento, Sicily.[5] Atlantes, however, have played a more significant role in Mannerist and Baroque architecture.

May be because we wanted to distinguish divisare from the web that is condemned to a sort of vertical communication, always with the newest architecture at the top of the page, as the \"cover story,\" \"the focus.\"

Content that was destined, just like the oh-so-new architecture that had just preceded it a few hours earlier, to rapidly slide down, day after day, lower and lower, in a vertical plunge towards the scrapheap of page 2.

Text description provided by the architects. The Brodecky House is a suburban infill project built in the backyard of an existing double storey residence for the owner to retire in. Positioned between a double storey and a single storey brick house, the facade comprises a dark silhouette above a textural reclaimed brick base, that mediates differences in the scale of adjacent houses, while maintaining individuality and openness. The form is a contemporary interpretation of the familiar silhouette of Australian suburban houses.

Our creative clients conceived something truly special during an exceptionally challenging time, giving Atlas the opportunity to create our own extraordinary silver lining. The Seat was an extremely rewarding project, requiring us to go back to basics and rediscover how architecture can genuinely integrate with the landscape.

Text description provided by the architects. The clients first approached our office looking to build a small sustainable home on a vacant property in Balnarring. Their initial idea was to build a one-bedroom courtyard home, which could be extended under stage two works to include two additional bedrooms. As concept design commenced the clients decided to carry out all building works under one contact.

Text description provided by the architects. The Spy Hop Media Arts Center, located in the Central Ninth (C9) neighborhood of Salt Lake City, is one in a series of projects working to revitalize the neighborhood. C9 is unique in its character; being both quaint yet connected. Recently, this has increased community investment, brought more housing, and attracted many local businesses. Spy Hop is situated at the center of this development along 900 South, a blossoming corridor, where it serves as a community center and a visual anchor.

The material palette is deliberately simple; cast in place concrete, blue-tinted glass, white metal panels, and large-scale iconic signage that animate the streetscape. These integrate with and articulate an architectural language that would be unique to the C9. Where lighting and cooling are the largest energy uses in the building, limiting solar gain and increasing daylighting became key to the design. Passive and active systems, including a large solar panel array and an innovative HVAC system, lower energy usage in the building; meeting LEED Silver standards.

As an IT leader or architect, you may notice that your software architecture is encountering performance issues. You may be considering moving your datastore from a mainframe or a traditional relational database (RDBMS) to a more modern database to take advantage of advanced analytics, scale at a faster rate, and opportunities to cut costs. Such is the impetus for modernization.

Within the same spirit of modernization we can say that MongoDB works along with Google Cloud technologies to provide joint solutions and some reference architectures to help our customers leverage this partnership.

The third principle talks about reflecting the world in real time. This is the most cumbersome and daunting task for anybody who is responsible for the design of a modern technology system, since it requires an architecture capable of receiving, processing, storing, and producing results from data streams originated by different systems, at different velocity rates, and in different formats.

Atlas frees the solution architect from this burden. As a managed service, it takes care of the networking, processing, and storage resources allocation, so it will scale as needed, when needed. And as a document-based database, it also allows for flexibility in regards to the format and organization of incoming data, Developers can focus on the actual process rather than spend their time modeling the information to make it fit into the RDBMS, as so often happens with traditional relational database schemas. It also provides real-time data processing features that allow for the execution of code or the consumption of external APIs residing in separate applications or even in various clouds.

An Operational Data Layer (or ODL) is an architectural pattern that centrally integrates and organizes siloed enterprise data, making it available to consuming applications. It enables a range of board-level strategic initiatives such as Legacy Modernization and Data as a Service, and use cases such as single view, real-time analytics and mainframe offload.

For an initial migration that will keep the current architecture in place while replicating records that are produced over the production system, the following reference shows some components that can be taken into account to achieve a starting point in time backup and restore on MongoDB Atlas, while at the same time enabling real time synchronization.

The above referenced architecture describes which Google Cloud components can be combined to ingest data from any source into an ODS supported by MongoDB Atlas and how to integrate this ODS with an Enterprise Data Warehouse (BigQuery) that enables structured data for analytical tools like Looker.

Digital technology and architecture have become inseparable, with new approaches and methodologies not just affecting the workflows and practice of architects, but shaping the very character of architecture.

Structured into six parts, the Atlas offers an orientation to the myriad ways in which computers are used in architecture today, such as: 3D Modelling and CAD; Rendering and Visualisation; Scripting, Typography, Text & Code; Digital Manufacturing and Model Making; GIS, BIM, Simulation, and Big Data & Machine Learning, to name but these.

Throughout, the Atlas provides both a historical perspective and a conceptual outlook to convey a sense of continuity between past, present, and future; and going beyond the confines of the traditional textbook, it also postulates a theoretical framework for architecture in the 21st century.

GolfClubAtlas.com is presented to promote frank commentary on golf course architecture. Within this commercial-free site, the subject of golf course architecture is discussed in several different sections, including:

3. 1949-1995: Length and difficulty became prized attributes, at the expense of variety and optionality. With heavy machinery readily available, architects had the unprecedented ability to bend the land to their will. Many such manufactured courses enjoyed immense visual impact but often lacked charm. In addition, such courses proved expensive to maintain. Only a handful of courses from this dark period are profiled, mostly those by Pete Dye who emerged as a hero.

4. Present: In this century, architects once again started to appreciate the subtleties that nature provides and they consciously tempered their impact upon the land. Indeed, many of the most impressive designs in the past twenty years were relatively inexpensive to construct as they are built on sandy sites. Golf is meant to be a simple outdoor pursuit and the fewer man-made disturbances, the better. Thanks to people like Mike Keiser, one can argue that golf architecture has been allowed to come full circle from a century ago. Once again, it is providing maximum pleasure to a wide range of players.

Geographically, the courses featured on GolfClubAtlas are diverse, coming from over twenty countries. Alister MacKenzie, Harry Colt, Donald Ross, Seth Raynor, Coore & Crenshaw and Tom Doak are among the frequently profiled architects. 59ce067264

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